Audiences can expect all the drama of Victor Hugo's 19th-century novel, which was re-engineered for the stage by Alain Boublil and Claude-Michel Schonberg and made the names Cosette and Jean Valjean famous.
Would YouTube exist if it weren't for the unguarded
moment, the foolish mistake and worst of all, the intentional
self-vulgarization of people so desperate for attention, they are
willing to sacrifice any semblance of dignity?